COMO INSTALAR SOLIDWORKS 2018

We can divide the history of music in different periods

We can divide the history of music into distinct periods, each identified by the style that is peculiar. Of course, a musical style is not made overnight. This is a slow and gradual process, almost always with styles overlapping each other, so as to allow the "new" to emerge from the "old." For this reason, musicologists hardly agree on the dates that mark the beginning and end of a period, or even on the names to be used in the description of the style that characterizes it. However, here we present a way of dividing the history of western music into six major periods, indicating the corresponding dates:

Melody Of course what is melody

Melody Of course what is melody, a very common word, whose meaning however is difficult to accurately pinpoint. A musical dictionary suggests the following definition: "sequence of notes, of different sounds, organized in a given form so as to make musical sense for the listener." However the way to react to a melody is a very personal matter. What makes "musical sense" to one may be unacceptable to another, and what is interesting and even beautiful to one person may leave another entirely indifferent. Harmony Harmony occurs when two or more notes of different sounds are heard at the same time, producing a chord. Chords are of two types: consonants, in which the notes agree with each other, and dissonant, in which the notes disclose to a greater or lesser degree, bringing the element of tension to the musical phrase. We use the word "harmony" in two ways: to refer to the selection of notes that constitute a given chord and, in the broad sense, to describ...

Musical theory and practice in the Middle Ages

Musical theory and practice in the Middle Ages The treatises of the Carolingian era and the lower Middle Ages were much more For practice than those of the classical and post-classical or the early Christianity. Although Boethius never ceased to be quoted with veneration and the The mathematical fundamentals of music transmitted by it have continued to constitute The basis of the construction of scales and speculation about the intervals and Consonances, his writings were not very useful when it came to Solving the immediate problems of rating, reading, classification and interpretation of Or improvising and composing organum and other primitive forms of polyphony. Such were now the dominant topics of the treaties. For example, Guido Of Arezzo, in his Micrologus (c. 1025-1028) attributes to Boethius the exposition of quotients Intervals. Guido tells the story of the discovery of these relations Numbers from the sound of a bla...

The history of music

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