We can divide the history of music in different periods

We can divide the history of music into distinct periods, each identified by the style that is peculiar. Of course, a musical style is not made overnight. This is a slow and gradual process, almost always with styles overlapping each other, so as to allow the "new" to emerge from the "old." For this reason, musicologists hardly agree on the dates that mark the beginning and end of a period, or even on the names to be used in the description of the style that characterizes it. However, here we present a way of dividing the history of western music into six major periods, indicating the corresponding dates:

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The beginnings of polyphony and eighteenth-century music

The beginnings of polyphony and eighteenth-century music The beginnings of polyphony and eighteenth-century music The eleventh century is of crucial importance in the history of the West. The 1000- -1100 d. C. witnessed a revival of economic life throughout the Western Europe, an increase in population, the clearing of uncultivated lands and Birth of modern cities; The conquest of England by the Normans, some Important steps towards the reconquest of Spain from the Muslims, the first crusade A cultural resurgence, with the first translations of Greek and Arabic, The beginnings of universities and scholastic philosophy and the diffusion of architecture Romanesque style. The cultural independence of the West has been marked by the Of literature in the vernacular and found its symbol in the schism Between the churches of the West and the East in 1054. The eleventh century was no less crucial to the history of music. In those years, Certain changes which, when ...

Musicology reports to Pythagoras

Musicology reports to Pythagoras (6th century BC) the role of being the first philosopher to organize what will later be called in general lines of musical theory, despite the contradictory data that surround this character. The first of these refers to the fact that no written account has come to us, for what came was secondary material: accounts by contemporary authors such as Herodotus, Heraclitus, and Xenophanes; Of authors who would have been students or followers of their doctrines, called Pythagoreans; Or later authors, Pythagoreans or not. The common point between these narratives is the contradiction of information, whether of the theories of their doctrine, or even of the qualities attributed. • Pythagoras From charlatan to demigod, there is a wide range of varied definitions. 'Another aspect concerns the presence of Pythagoras in the history of music. In several periods (the Middle Ages, Baroque and even in the twentieth century), there are references to him ...

Liturgical song and secular song in the Middle Ages

Liturgical song and secular song in the Middle Ages Canto romano e liturgia In studying the history of music, it is of course necessary to acquire some Notions about the musical styles and genres of the various historical periods, but it is It is even more essential to know the music itself. The facts are only one skeleton; Only music gives them life and meaning. It is especially important to have this in mind. Account when studying the chant, because it is a type of music with which many people Not familiar with. The songs should be heard and sung until the person is To accustom to the sonority, and in each step from the knowledge process, Not only the intrinsic beauty of the pieces, but also the With the relevant historical, liturgical and analytical data This chapter is proposed. This advice is all the more pertinent since the substitution of Latin for the Vernacular languages, with the Second Vatican Council, from 196...

The history of music

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