Musicology reports to Pythagoras (6th century BC) the role of being the first philosopher to organize what will later be called in general lines of musical theory, despite the contradictory data that surround this character. The first of these refers to the fact that no written account has come to us, for what came was secondary material: accounts by contemporary authors such as Herodotus, Heraclitus, and Xenophanes; Of authors who would have been students or followers of their doctrines, called Pythagoreans; Or later authors, Pythagoreans or not. The common point between these narratives is the contradiction of information, whether of the theories of their doctrine, or even of the qualities attributed. • Pythagoras From charlatan to demigod, there is a wide range of varied definitions. 'Another aspect concerns the presence of Pythagoras in the history of music. In several periods (the Middle Ages, Baroque and even in the twentieth century), there are references to him ...
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